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Photographer Mitchell Epstein has worked everywhere from Hanoi to Berlin to America’s old-growth forests. “As a photographer, it’s only in getting lost that you move forward,” he says. This piece was produced with the National Academy of Design and features music by Stephanie Jenkins. Person: Mikio Shinigawa. Place: Hanoi, 1994. Thing: a hydrangea.
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Director Gregory Mosher shares stories from a life spent shaping American theater — from revitalizing Chicago’s Goodman Theater to launching Theater at Lincoln Center. His happiest place? A rehearsal room, where he’s worked with legends like Mamet, Beckett, and Tennessee Williams. Along the way, we meet Adam Michnik, glimpse a haunting portrait by Williams, and recall NBC’s old Standards and Practices guy. Presented with Hunter College, with music by Elijah Caldwell, Ally Ann Long, Stephan Shteinberg, and Sumayya Ahmed.
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Host Randy Cohen speaks with Senior Curator of Costume at The Museum at FIT Dr. Colleen Hill. “We got it from Lauren Bacall,” says Hill. The flu? Certainly not. An Elsa Peretti handbag, one of 700 items from Bacall’s wardrobe donated to the Museum at FIT. That handbag is part of Hill’s current exhibition, Fashioning Wonder: A Cabinet of Curiosities.
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“The disease, the people believed, was caused by sorcery and could be cured by sorcery,” says bioethicist Robert Klitzman. And by “the people” he does not mean RFK Jr. but a stone age tribe in New Guinea. Klitzman also tells us about hospital chaplains, the pool in central park and a stone axe head.
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Moisés Kaufman and Amanda Gronich’s play “Here There Are Blueberries” is built around an actual photo album assembled at Auschwitz of the ordinary daily life of the perpetrators. Following a run at the McCarter Theater, the play is now touring nationally (if you’re reading this early in 2025, not in, oh, 2026 in exile on the Martian colony). Hear about Karl Höcker and their rehearsal room.
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Historian at CCNY’s Black Studies Department Emmanuel Lachaud says, “If I really want to have a good writing day, I take the train an hour and fifteen minutes to somewhere that I love. I like to call it the quietest place in New York City.” Lachaud tells us about the Center for Fiction Library and Pierre Toussaint.
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After 50 years as a mezzo-soprano, Frederica von Stade still embraces this advice from her first teacher: “Sing as though it comes from the bottom of your heart, because that’s what it’s about.” Stade tells us about her father’s piano and Paris.
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The new president of Hunter College, Nancy Cantor, is a champion of “social infrastructure.” Here’s how to recognize it: “It’s a public good. Everybody uses it, nobody owns it.” Cantor also discusses Central Park’s Great Lawn and an Anita Hill op-ed.
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This week's episode features a fascinating conversation with Zalmen Mlotek and Steven Skybell, who share insights into their work on “Fiddler on the Roof” in Yiddish, a triumph of heritage and performance. Mlotek recalls how Isaac Bashevis Singer once called his mother the "Sherlock Holmes of Yiddish songs," a tribute to her dedication to preserving this rich tradition. The podcast is presented by the National Yiddish Theatre Folksbiene and the YIVO Institute for Jewish Research, with special mentions of Joel Grey, The Museum of Jewish Heritage, and three volumes of Yiddish songs that have helped shape their musical journey. Plus, Randy reflects on Achilles and Athena in his "People" segment.
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Actor Charles Busch says “My life was a bit like the plot of Auntie Mame.” Busch has stories about Linda Lavin, Christopher Isherwood, Lily Tomlin, Angela Landsbury, Vivien Leigh, Marlene Dietrich, and tells us about Gritti Palace, Venice. Plus, he sings.
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Conservationist and adventurer Peter Fong led an expedition down Mongolia’s Selenge River, described in his book “Rowing to Baikal.” “To me the river is like a god, a god that I can be in conversation with. I feel like it’s alive. I don’t always understand it, but I don’t understand god either.” A conversation at the Explorers Club.
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In addition to being a much admired writer, Ann Patchett owns Parnassus Books in Nashville. “Because I own a bookstore, I get a copy of just about every book that comes out. It’s like being pelted to death with books,” she says. Patchett tells us about Meg Mason, her bookstore, and her father’s watch.