glass

The exhibit, “Louis Comfort Tiffany: Treasures from the Driehaus Collection,” is now open at Munson-Williams-Proctor Arts Institute Museum of Art in Utica and features more than 60 artworks, spanning more than 30 years of Tiffany’s prolific career.

The exhibition focuses on Tiffany’s brilliant stained-glass windows, iridescent floral vases, shimmering lamps, and accessories highlighting masterworks never before presented in a comprehensive exhibition.

Tiffany was one of America’s preeminent designers of decorative arts and interiors. Under his artistic direction and using enamels, metalwork, precious stones, wood, ceramics, and, of course, glass, the artisans employed at Tiffany Studios fashioned beautiful objects for public commissions and private residences.

Institute President and CEO Anna D'Ambrosio joins us.

Chesterwood in Stockbridge, MA is a site of the National Trust for Historic Preservation and was the summer home, studio and gardens of America’s foremost sculptor of public monuments, Daniel Chester French.

Its 38th annual outdoor sculpture exhibition, The Nature of Glass: Contemporary Sculpture at Chesterwood 2016, featuring 24 works by 12 internationally recognized glass artists. The exhibition, curated by Jim Schantz of Schantz Galleries Contemporary Glass, will be on view daily until September 18.

We are joined by Donna Hassler, the Executive Director of Chesterwood, Jim Schantz from Schantz Galleries Contemporary Glass, and artist Tom Patti.  

  Manitoga/The Russel Wright Design Center is the House, Studio and Woodland garden of mid-century designer Russel Wright. It is a National Historic Landmark, an Affiliate Site of the National Trust for Historic Preservation, and a World Monuments Watch Site.

Manitoga’s Artist Residency program was initiated in 2014 to foster creative responses to Manitoga that invoke Russel Wright's legacy of creative experimentation and celebration of place.

This year’s residency artist, Peter Bynum, is known for his light-infused sculptural paintings and large-scale installations. He creates his work by pressing paint between sheets of glass - allowing it to spread, span, and split according to its own plan. He then layers these branched paintings over each other and illuminates them from behind. The effect is singular.

Bynum’s work has been exhibited all over the world. His residency exhibition, Ecstatic Light, presents a site-specific installation of several pieces in Russel Wright’s House and Studio, marking Manitoga’s first presentation of a contemporary artist within the interiors of the property.