Community Calendar

“I’m in the Studio Tonight Because of You” is Delgado’s attempt to take the viewer through her process by breaking down the lines and marks that land on the paper or canvas from beginning to end.

The first mark tends to be towards the right, middle side of the page. Woody sticks, graphite crayons, pigment sticks, stiff brushes and palette knives are her tools of choice.

The woody stick can make really thin lines that ignite each painting’s energy. When water is added it will wash the color out and make light marks that can be seen in small areas under the piles of oil paint. It’s been said that Melanie is a ‘painter’s painter’. When you stand in front of her work, especially the larger oil paintings on canvas you can feel the battle. She is committed to her practice and has a deep love for her students and their work as well.

This show is dedicated to you.

Opening Reception: Sat, Aug 9, 4-6pm
Gallery Hours: Thurs/Sun - 12-5pm, Fri/Sat - 12-6pm

A self taught artist, I have always been fascinated with the process of coming into and dissolving out of form and all the stages in between. Using subtle rich materials such as Venetian plaster marble dusts, raw pigments, graphite powders and genuine silver leaf, all lend themselves to depicting the process of life in transition.

Whether it is a photograph or a painting suggesting a forest, a snow storm, or a tangle of light. There’s an invitation to enter into a flow of energy, colour movement, an experience! They go where their imagination takes them.

Exhibition Dates: Aug 9 - Sept 13, 2025
Gallery Hours: Thurs/Sun - 12-5pm, Fri/Sat - 12-6pm

6 Thursdays
July 10, 17, 24, 31, August 7, 14, 2025
6 - 8:30 pm

Ages 16+

This watercolor course is designed for intermediate and advanced artists looking to refine their technique and deepen their creative practice. Through structured exercises, students will enhance their observational skills, master controlled lighting, and explore advanced color mixing. Tailored assignments ensure a personalized learning experience, helping you achieve greater precision, expression, and confidence in watercolor painting.

All tools and materials will be provided.

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Please register at least a week in advance to guarantee your spot.

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We believe in access to art education for all. Please pay what you can to support this access for all of our community.

If you would like to use a scholarship code, they are listed below. If you require a full scholarship, please contact Chris@mkad.art

Scholarship Codes:
For 25% discount use code "25OFF" = $225
For 50% discount use code "50OFF" = $150
For 75% discount use code "75OFF" = $75

Two day workshop
Thursdays, August 14 & 21
6 – 8:30 pm

Ages 16 and Up

Have you ever wanted to create your own pattern and have it printed on fabric? Make your own tablecloth or up-cycle your thrifted wardrobe? Then this class is for you!

This two day workshop will explore carving your own unique stamps and learning techniques to print your imagery onto fabric. Using stitching and basic appliqué we will embellish your stamped designs.Think bandanas, patches, pillows…whatever you can imagine. You can also use your hand carved stamps to print on paper! Wrapping paper, notebooks, cards, tags…the possibilities are endless!

All materials provided. But feel free to bring extra fabric scraps from your stash for experimenting.

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Please register at least a week in advance to guarantee your spot. Scholarship availability closes 2 weeks prior to the start of class.

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We believe in access to art education for all. It takes the whole community to generate the equity our pay-what-you-can tuition generates. Behind the scenes, we work to bridge the financial gap between what our students can pay and what we need to sustain our programs. Please consider carefully before you use our discount codes.

Scholarship Codes:
For 25% discount use code "25OFF"
For 50% discount use code "50OFF"
For 75% discount use code "75OFF"

This economic justice map from The Sliding Scale: A Tool of Economic Justice by Alexis J. Cunningfolk is useful to assess where you may fall on the financial spectrum of pay what you can.

To request 100% off tuition, please contact chris@mkad.art

Step into the world of Shakespeare’s The Taming of the Shrew, with its timeless themes of identity, gender roles, and the clash of wills. 

Meet the fiery and fiercely independent Katherine, whose spirited nature meets its match in the cunning Petruchio as they embark on a hilarious and clever exploration of love, power, and transformation. 

The Taming of the Shrew offers a compelling – if not at times zany – look at relationships, and social norms, making it a must-see for anyone who loves classic comedy with a bit of bite.

Called “one of the most sublime and terrifying works in the repertoire” (NPR), Verdi’s Requiem is filled with transcendent moments from the ineffably sorrowful “Lacrymosa,” to the heavens-shaking final judgement of the “Dies irae,” to the hushed finale blessed by grace. The evening-length work features an all-star cast with soloists from the Metropolitan Opera stage alongside the Albany Pro Musica Chorus. Philadelphia Orchestra Music and Artistic Director Yannick Nézet-Séguin returns to lead the program, bringing the score to life with his masterful interpretation.

Learn more and buy tickets now at spac.org

2 WEEK SESSION
Monday - Friday, 9 am - 4 pm (aftercare available till 5)

Week 1: August 12, 13, 14,15, 16
Week 2: August 19, 20, 21, 22, 23

Grades 5-8

City Look Lab will offer students the experience of thinking through, making structures, and dreaming up ways to design comfortable and fun spaces. It’s a free space for learning the art of solving design problems.

The City Look Lab Workshop project will focus on developing fundamental art and architectural design skills and exploring various key architectural aspects of the City of Kingston. Each first-week workshop day will focus on a different core lesson to help the participating students choose and explore their interest in the intersection between art and architecture. The project is also designed to hone skills that will be helpful for the (art-inclined) student wanting to develop their portfolio (skills). The City Look Lab is open to all levels of students willing to experience collaborative art-making to understand its real-world applications. Students will take field trips and walking tours and ride the busses to explore our city’s cultural, environmental, and architectural wonders.

Our project brings proof that someone believes that a community such as Kingston deserves dignity and beauty and can be fortified by sprinkling tidbits of its community’s student creativity. This can be as simple as having creative students make colorful Public Projects such as signs, mini murals, benches, gates, bike racks, etc. City Look Lab is also designed as a great accentuation to help our place see itself as a great community by helping it fortify commuter access information to its transit options through creativity and more, giving dignity to those dependent on public spaces.

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Please register at least a week in advance to guarantee your spot.

Material Shift showcases work by 13 Haudenosaunee artists who employ found objects and other unconventional materials to create or illustrate traditional cultural objects or concepts and those who, conversely, explore traditional materials in unexpected ways. Works range from playful to provocative. These events are made possible by the National Endowment for the Arts, the Institute of Museum & Library Services, the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and friends and members of the Iroquois Museum. For more information contact: info@iroquoismuseum.org

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.