Community Calendar

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

Edward Heys, currently of Bennington, Vermont, spent 45 years chasing various deadlines of magazine publishing. It required the combined influences of his family and retirement to redirect his efforts toward more whimsical pursuits: the engineering and construction of fairy houses.
Lauren Kenneally is a Registered Nurse working in mental health research. Needle felting is the perfect balancing activity that grounds her and allows her to find the pleasure and beauty of focusing on ordinary scenes. It has become a spiritual practice.
Working with natural materials, each artist discovered that their creations complement each other in their intricate detail. Valley Artisans Market invites the curious visitor to explore these constructions in the context of art vs. craft.

An exhibition of work by current students in 100–level studio courses in the Department of Art

Time is the framework for my drawing and painting practice. In working with the figure, I seek to capture both a moment and the internal landscape of the sitter. Daily drawing sessions function as a meditation—repetition that sharpens vision, timing, and the choices I make with color, line, positive and negative space, and other principles of art-making.

Between looking and seeing, there is a fleeting gap: a split second where an image imprints itself on my mind before I translate it to canvas. This gap, described in Buddhism as a place of stillness and equilibrium, is central to my work. It is a space beyond words or thought—just presence.

Roses are also a recurring motif in my practice. For me, they serve as a metaphor for the human spirit. Through the use of multiple roses and mirrors, I explore light, reflection, and metaphor, creating spaces that attempt to hold and extend a moment.

Ultimately, my work is an inquiry into memory, perception, and the impossibility of holding on. To capture the fleeting is like trying to grasp smoke before it disappears into a black hole.

Opening Reception: Sept 20 - Oct 25, 2025
No On-Site Parking

Time is the framework for my drawing and painting practice. In working with the figure, I seek to capture both a moment and the internal landscape of the sitter. Daily drawing sessions function as a meditation—repetition that sharpens vision, timing, and the choices I make with color, line, positive and negative space, and other principles of art-making.

Between looking and seeing, there is a fleeting gap: a split second where an image imprints itself on my mind before I translate it to canvas. This gap, described in Buddhism as a place of stillness and equilibrium, is central to my work. It is a space beyond words or thought—just presence.

Roses are also a recurring motif in my practice. For me, they serve as a metaphor for the human spirit. Through the use of multiple roses and mirrors, I explore light, reflection, and metaphor, creating spaces that attempt to hold and extend a moment.

Ultimately, my work is an inquiry into memory, perception, and the impossibility of holding on. To capture the fleeting is like trying to grasp smoke before it disappears into a black hole.

Opening Reception: Sept 20 - Oct 25, 2025
No On-Site Parking

Come one, come all and climb aboard the Hudson River Maritime Museum’s solar powered boat Solaris for a ride of historical scares, appropriate for all ages. Settle in and prepare to be spooked as our storytellers captivate you with specially selected tales for the Halloween season. You’ll hear about a headless horseman, ghosts stalking the river, and other local lores. These stories have floated along the Hudson River and beyond for generations, and they’re sure to delight. Cozy up with some hot cider and treats and enjoy the smooth, quiet ride only Solaris can offer as you learn the haunted tales of the mighty Hudson.

Celebrate 200 Years of America’s Oldest Covered Bridge!
Join the festivities on Saturday, October 11, at Glimmerglass State Park as the Hyde Hall Covered Bridge—the oldest in the U.S.—turns 200! Enjoy live music, a classic car show, kids' activities, historical presentations, and more, all free of charge. Commemorative souvenirs, food vendors, and camping options are available. Don’t miss this once-in-a-lifetime celebration of a true American landmark! More detailed information coming soon!

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.