Community Calendar

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

The Yiddish Book Center is now offering masked tours of Yiddish: A Global Culture, our permanent exhibition. Visitors can experience the incredible story of Yiddish on this 45-minute tour.

Masked tours are scheduled for 11:00 a.m. on:

Monday, May 19
Monday, June 30
Monday, July 28

The tour guide as well as all guests on the tour will be masked. There is no additional charge for these tours and no advance registration required. If you have any questions about our Masked Tours, please email us at access@yiddishbookcenter.org.

Suggested donation: $12

We also offer tours that do not require masks on Sundays at 11:00 a.m. and 1:00 p.m. and Tuesdays at 1:00 p.m.

Learn more and plan your visit: https://www.yiddishbookcenter.org/events-and-store/plan-your-visit-hours-and-directions

Yiddish Book Center hours:
Sunday–Friday, 10:00 a.m. to 4:00 p.m.

Address:
1021 West Street
Amherst, MA 01002

Phone number: 413.256.4900

Since 2020, I've started making marker drawings, which took away my ability to erase unwanted lines. I thus started to make a very different kind of drawing, in addition to the ongoing pencil drawings.

For a while in my adolescence, I became fascinated by architecture, and drew everything with rulers. The free, curvilinear drawing on display here was a reaction to that highly-structured method. However, recently, architectural details (stairs, rooflines) have started to re-appear in these biomorphic abstractions.

I read the nature of the lines in my drawings as being abstracted from the human body, as well as the increasingly curvilinear forms of technological products seeking to be more "high-touch”, to somewhat hide the decidedly “no-touch" world of the structure of the machines themselves.

So, in short, you have the environment (designed objects) and inhabitant (human body) together. The rest is a mystery to me, but a compelling one.

Exhibition Dates - May 17 - June 21, 2025
Opening Reception - Sat, May 17, 4-6pm
Gallery Hours - Thurs/Sun - 12-5pm, Fri/Sat - 12-6pm

folds and faults is an exhibition of new work by Kingston based artist Lindsey A. Wolkowicz. Wolkowicz’s dynamic use of figure plays with duality: space and object, surface and form, the corporeal and the psychodynamic. Her distinct mark-making and intersecting planes of color present the viewer with bodies trying to find grounding within the rugged landscape of change. These figures struggle to maintain connection– to each other, to place, to softness, to familiar structures and familial roles – as anchors of belonging within a constant state of transition and uncertainty.

Opening Reception: Sat, May 17, 4-6pm

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

The Yiddish Book Center is now offering masked tours of Yiddish: A Global Culture, our permanent exhibition. Visitors can experience the incredible story of Yiddish on this 45-minute tour.

Masked tours are scheduled for 11:00 a.m. on:

Monday, May 19
Monday, June 30
Monday, July 28

The tour guide as well as all guests on the tour will be masked. There is no additional charge for these tours and no advance registration required. If you have any questions about our Masked Tours, please email us at access@yiddishbookcenter.org.

Suggested donation: $12

We also offer tours that do not require masks on Sundays at 11:00 a.m. and 1:00 p.m. and Tuesdays at 1:00 p.m.

Learn more and plan your visit: https://www.yiddishbookcenter.org/events-and-store/plan-your-visit-hours-and-directions

Yiddish Book Center hours:
Sunday–Friday, 10:00 a.m. to 4:00 p.m.

Address:
1021 West Street
Amherst, MA 01002

Phone number: 413.256.4900

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.