Community Calendar

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

Sunday, Aug. 17, 10 a.m.-2:30 p.m.
Join accomplished Mohawk artisan Carrie Hill for a hands-on workshop in traditional Black Ash splint basketry. Participants will learn about the Akwesasne connection to basket making, the process of preparing splints, and techniques such as simple weaves and curls. Under Carrie’s guidance, attendees will construct a square basket using hand-pounded natural and dyed splints provided by the artist.
Cost: $140 members/$150 non-members (includes materials)
Pre-registration is required by emailing heather@iroquoismuseum.org.

“I’m in the Studio Tonight Because of You” is Delgado’s attempt to take the viewer through her process by breaking down the lines and marks that land on the paper or canvas from beginning to end.

The first mark tends to be towards the right, middle side of the page. Woody sticks, graphite crayons, pigment sticks, stiff brushes and palette knives are her tools of choice.

The woody stick can make really thin lines that ignite each painting’s energy. When water is added it will wash the color out and make light marks that can be seen in small areas under the piles of oil paint. It’s been said that Melanie is a ‘painter’s painter’. When you stand in front of her work, especially the larger oil paintings on canvas you can feel the battle. She is committed to her practice and has a deep love for her students and their work as well.

This show is dedicated to you.

Opening Reception: Sat, Aug 9, 4-6pm
Gallery Hours: Thurs/Sun - 12-5pm, Fri/Sat - 12-6pm

A self taught artist, I have always been fascinated with the process of coming into and dissolving out of form and all the stages in between. Using subtle rich materials such as Venetian plaster marble dusts, raw pigments, graphite powders and genuine silver leaf, all lend themselves to depicting the process of life in transition.

Whether it is a photograph or a painting suggesting a forest, a snow storm, or a tangle of light. There’s an invitation to enter into a flow of energy, colour movement, an experience! They go where their imagination takes them.

Exhibition Dates: Aug 9 - Sept 13, 2025
Gallery Hours: Thurs/Sun - 12-5pm, Fri/Sat - 12-6pm

Kingston, NY…The 30th Annual Kingston Artists Soapbox Derby will take place in the Rondout Waterfront District, rain or shine. Participants gather at Broadway and Spring Street. Open to all, the Derby is an entertaining parade of creative kinetic sculpture designed by artists, families and community organizations. Registration is $25 and attendance is free. Festivities conclude at T.R. Gallo Park with music, children’s activities, trophies, and cash prizes. For more information: https://kingstonartistsoapboxderby.com/

Dreams are postcards from our souls. While we sleep, our dreams become passageways to other dimensions, where the soul roams free. When we wake, fragments of the journey return to our consciousness as visual imagery and symbolic language. They are keepsakes from our dream journey, postcards from the soul.
Come and enjoy how the artists captured their nocturnal visions and displayed on postcards.
The art exhibition, Dreams: Postcards from the Soul, invites viewers to embark on a journey through the mysterious and profound realm of dreams. This collection features a series of visual imagery paintings, dialogue, poetry, and multimedia works that explore the concept of dreams as messages—or "postcards"—sent to us from the depths of our own souls. Each artwork serves as a visual representation of the subconscious mind, filled with symbols, emotions, and narratives that bridge the gap between the conscious and the unconscious. ​​
Closing reception: August 17, 2-4pm
Awards announcement at 3pm. Jurors of selection: Tara O'Grady and Amy Lloyd

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.