Community Calendar

6 Thursdays
September 11, 18, 25, October 9, 16, 23, 2025
6 - 8:30 pm

Ages 16+

This watercolor course is designed for intermediate and advanced artists looking to refine their technique and deepen their creative practice. Through structured exercises, students will enhance their observational skills, master controlled lighting, and explore advanced color mixing. Tailored assignments ensure a personalized learning experience, helping you achieve greater precision, expression, and confidence in watercolor painting.

All tools and materials will be provided.

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Please register at least a week in advance to guarantee your spot.

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We believe in access to art education for all. Please pay what you can to support this access for all of our community.

If you would like to use a scholarship code, they are listed below. If you require a full scholarship, please contact Chris@mkad.art

Scholarship Codes:
For 25% discount use code "25OFF"
For 50% discount use code "50OFF"
For 75% discount use code "75OFF"

5 Thursdays
August 28, September 4, 11, 18, 25
6 - 8:30 pm

Ages 16+

Join us in this 5-week workshop where artist Rakel Stammer will guide students on hand drawing silkscreen transparencies for printing multiple color layers. Students will gain foundational skills in screen printing by being guided through demonstrations on how to coat their screens, expose their drawn transparencies, printing and registering their color layers. By the end of the course, students will have the experience of layering transparencies and colors for beautifully rich screen prints!

All materials provided.

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Please register at least a week in advance to guarantee your spot. Scholarship availability closes 2 weeks prior to the start of class.

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We believe in access to art education for all. It takes the whole community to generate the equity our pay-what-you-can tuition generates. Behind the scenes, we work to bridge the financial gap between what our students can pay and what we need to sustain our programs. Please consider carefully before you use our discount codes.

Scholarship Codes:
For 25% discount use code "25OFF"
For 50% discount use code "50OFF"
For 75% discount use code "75OFF"

This economic justice map from The Sliding Scale: A Tool of Economic Justice by Alexis J. Cunningfolk is useful to assess where you may fall on the financial spectrum of pay what you can.

To request 100% off tuition, please contact chris@mkad.art

Goldie Morgentaler, Yiddish scholar and translator, and daughter of Chava Rosenfarb, shares the decades-long correspondence between friends, Holocaust survivors and writers Chava Rosenfarb and Zenia Larsson, exploring their enduring friendship and postwar lives in Canada and Sweden.

Department of Theatre’s New Play Reading Series presents Made in USA with Imported Materials by Kinjal Potdar. It’s Diwali, the Festival of Lights, and Priya returns home with her mentor, Liz, to celebrate. Tensions rise when Priya discovers her parents created and submitted her profile to a matchmaker. Resentments erupt, relationships are tested, and the family is forced to reckon with its secrets.

Based upon the motion picture written by Adrienne Shelly, this hit Broadway musical holds a special recipe for finding love in unexpected places.
Jenna, a waitress and expert pie maker, is stuck in a small town and a loveless marriage. Faced with an unexpected pregnancy, Jenna fears she may have to abandon the dream of opening her own pie shop…until a baking contest in a nearby county and the towns handsome new doctor offer her a tempting recipe for happiness.
“Thoroughly charming! A deep dish of feel-good feminist comfort food.” -The Hollywood Reporter

Music and Lyrics by Grammy-winner Sara Bareilles, Directed by Brittany Proia 

THURSDAYS, FRIDAYS and SATURDAYS at 8 PM, SATURDAYS and SUNDAYS at 2 PM

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

Join the Haiti Project September 26 - 28 for their 25th annual art auction and sale, presenting hundreds of original Haitian artworks. All purchases are 50% tax-deductible, and the art sale will take place at Vassar College in the Multi Purpose Room of the College Center.

The event features both an in-person art sale and an online auction.

Hundreds of original paintings and handicrafts made in Haiti will be offered for sale or auction. Works encompass paintings, iron sculptures, paper mâché, wood and metal handcrafts and more - displaying the country's diverse and talented artistic voices. The proceeds for this sale will go to our education initiative for 250 primary school children, secondary school and adult education.

On Saturday, September 27, Sabrina Marzouka, Commissioner of Dutchess County Department of Community and Family Services and Haiti Project Board Member, keynotes a presentation entitled, "The Role of Art in Time of Conflict.”

Time is the framework for my drawing and painting practice. In working with the figure, I seek to capture both a moment and the internal landscape of the sitter. Daily drawing sessions function as a meditation—repetition that sharpens vision, timing, and the choices I make with color, line, positive and negative space, and other principles of art-making.

Between looking and seeing, there is a fleeting gap: a split second where an image imprints itself on my mind before I translate it to canvas. This gap, described in Buddhism as a place of stillness and equilibrium, is central to my work. It is a space beyond words or thought—just presence.

Roses are also a recurring motif in my practice. For me, they serve as a metaphor for the human spirit. Through the use of multiple roses and mirrors, I explore light, reflection, and metaphor, creating spaces that attempt to hold and extend a moment.

Ultimately, my work is an inquiry into memory, perception, and the impossibility of holding on. To capture the fleeting is like trying to grasp smoke before it disappears into a black hole.

Opening Reception: Sept 20 - Oct 25, 2025
No On-Site Parking

Time is the framework for my drawing and painting practice. In working with the figure, I seek to capture both a moment and the internal landscape of the sitter. Daily drawing sessions function as a meditation—repetition that sharpens vision, timing, and the choices I make with color, line, positive and negative space, and other principles of art-making.

Between looking and seeing, there is a fleeting gap: a split second where an image imprints itself on my mind before I translate it to canvas. This gap, described in Buddhism as a place of stillness and equilibrium, is central to my work. It is a space beyond words or thought—just presence.

Roses are also a recurring motif in my practice. For me, they serve as a metaphor for the human spirit. Through the use of multiple roses and mirrors, I explore light, reflection, and metaphor, creating spaces that attempt to hold and extend a moment.

Ultimately, my work is an inquiry into memory, perception, and the impossibility of holding on. To capture the fleeting is like trying to grasp smoke before it disappears into a black hole.

Opening Reception: Sept 20 - Oct 25, 2025
No On-Site Parking