Community Calendar

Based upon the motion picture written by Adrienne Shelly, this hit Broadway musical holds a special recipe for finding love in unexpected places.
Jenna, a waitress and expert pie maker, is stuck in a small town and a loveless marriage. Faced with an unexpected pregnancy, Jenna fears she may have to abandon the dream of opening her own pie shop…until a baking contest in a nearby county and the towns handsome new doctor offer her a tempting recipe for happiness.
“Thoroughly charming! A deep dish of feel-good feminist comfort food.” -The Hollywood Reporter

Music and Lyrics by Grammy-winner Sara Bareilles, Directed by Brittany Proia 

THURSDAYS, FRIDAYS and SATURDAYS at 8 PM, SATURDAYS and SUNDAYS at 2 PM

Archtober Newburgh 2025
October 3-5, 2025
105 Ann Street, Newburgh NY

Archtober Newburgh 2025 is a celebration of architecture and design in the historic city of Newburgh, NY. For the first week of October, this annual event invites residents and visitors to explore the rich architectural heritage through walking tours, restoration workshops, kids events, preservation sessions, minecraft building, and other free events. Participants can engage with local architects, historians, and community leaders while discovering the city’s unique stories. Visit TheFullerton.org/archtobernewburgh2025 to see a roster of programs or email archtobernewburgh@gmail.com for more info.

Skidmore Encore announces registration for its Fall 2025 lecture series delivered by the remarkable Skidmore College faculty for adult learners age 55+ from around the local region. Encore attracts intellectually curious people who are eager to learn. Join us! The 2025 program runs for seven weeks on Tuesdays from September 30 through November 11 in the gorgeous Arthur Zankel Music Center Skidmore College campus. Online registration opens Tuesday, September 2, 2025 at 9:00 AM.

For more information: www.skidmore.edu/encore

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

Edward Heys, currently of Bennington, Vermont, spent 45 years chasing various deadlines of magazine publishing. It required the combined influences of his family and retirement to redirect his efforts toward more whimsical pursuits: the engineering and construction of fairy houses.
Lauren Kenneally is a Registered Nurse working in mental health research. Needle felting is the perfect balancing activity that grounds her and allows her to find the pleasure and beauty of focusing on ordinary scenes. It has become a spiritual practice.
Working with natural materials, each artist discovered that their creations complement each other in their intricate detail. Valley Artisans Market invites the curious visitor to explore these constructions in the context of art vs. craft.

Time is the framework for my drawing and painting practice. In working with the figure, I seek to capture both a moment and the internal landscape of the sitter. Daily drawing sessions function as a meditation—repetition that sharpens vision, timing, and the choices I make with color, line, positive and negative space, and other principles of art-making.

Between looking and seeing, there is a fleeting gap: a split second where an image imprints itself on my mind before I translate it to canvas. This gap, described in Buddhism as a place of stillness and equilibrium, is central to my work. It is a space beyond words or thought—just presence.

Roses are also a recurring motif in my practice. For me, they serve as a metaphor for the human spirit. Through the use of multiple roses and mirrors, I explore light, reflection, and metaphor, creating spaces that attempt to hold and extend a moment.

Ultimately, my work is an inquiry into memory, perception, and the impossibility of holding on. To capture the fleeting is like trying to grasp smoke before it disappears into a black hole.

Opening Reception: Sept 20 - Oct 25, 2025
No On-Site Parking

Time is the framework for my drawing and painting practice. In working with the figure, I seek to capture both a moment and the internal landscape of the sitter. Daily drawing sessions function as a meditation—repetition that sharpens vision, timing, and the choices I make with color, line, positive and negative space, and other principles of art-making.

Between looking and seeing, there is a fleeting gap: a split second where an image imprints itself on my mind before I translate it to canvas. This gap, described in Buddhism as a place of stillness and equilibrium, is central to my work. It is a space beyond words or thought—just presence.

Roses are also a recurring motif in my practice. For me, they serve as a metaphor for the human spirit. Through the use of multiple roses and mirrors, I explore light, reflection, and metaphor, creating spaces that attempt to hold and extend a moment.

Ultimately, my work is an inquiry into memory, perception, and the impossibility of holding on. To capture the fleeting is like trying to grasp smoke before it disappears into a black hole.

Opening Reception: Sept 20 - Oct 25, 2025
No On-Site Parking

$25 a drop-in, $80 ($20 a class) for a 4 session punch card, Venmo, CC, check or cash.

Figure Drawing Long pose Open Studio Sessions for experienced adult artists with a live model in a supportive atmosphere. No instructor. Bring your own art supplies/drawing boards. There are a few easels and we also have tables and chairs. Poses for three 1 hour or one 3 hour. Limited to 15 people per session.

For more information, call or email us!

For updates on scheduling and closures, check out our website or social media.

The Arch Stanton Quartet

Terry Gordon: Horns | Roger Noyes: Guitar | Chris Macchia: Bass | James Ketterer: Drums

The Arch Stanton Quartet, based in upstate New York, performs original jazz that is experimental, yet rooted in bop and post-bop traditions.