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yashua klos

  • When the Parts Untangle, 2022 Woodblock print on muslin and oil-based, relief block ink on canvas, Japanese rice paper, spray paint, mounted on dropcloth 8 ft. 11 1⁄2 in. x 24 ft. 1 1⁄8 in. (2.7 x 7.4 m) Produced by the Ruth and Elmer Wellin Museum of Art at Hamilton College, Clinton, NY; supported by the Daniel W. Dietrich ‘64 Fund for Innovation in the Arts © Yashua Klos Photo by John Bentham
    The Roundtable
    Yashua Klos: Our Labour on view at the Wellin Museum
    Joe Donahue
    Through his print-based collages and sculptures, Yashua Klos explores the intersections among the human form, natural elements, the built environment, and social hierarchies. His practice employs a process of collaging woodblock prints to engage ideas about Blackness and maleness as identities that are both fragmented and constructed.His recent work takes on personal histories of race, identity, and familial ties. For the exhibition Yashua Klos: OUR LABOUR, curated by Johnson-Pote Director at The Wellin, Tracy Adler, the artist is creating an entirely new body of site-responsive collages and sculptures, and collaborating with Hamilton College students on a large-scale, collage-based wall installation at the Ruth and Elmer Wellin Museum of Art at Hamilton College in Clinton, NY through June 12.