Community Calendar

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

Saturday and Sunday, Aug. 30 and 31, 10 a.m.-5 p.m.
Celebrate Haudenosaunee creativity at this vibrant event featuring an all-Iroquois Art Market showcasing both traditional and contemporary arts and fine crafts.
Highlights include:
• Sky Dancers from Six Nations Reserve (Ontario) performing traditional Iroquois social dances, with opportunities for the public to join in.
• Onondaga storyteller Perry Ground, captivating audiences with dramatic tales of daring feats and adventures
• A family activity area with hands-on crafts.
• Wildlife rehabilitator Kelly Martin, discussing regional conservation and presenting native animals, including birds of prey.
• The Museum’s archaeology department, offering artifact identification and demonstrations of early technologies like flintknapping.
Immerse yourself in Haudenosaunee art, culture, and storytelling.
Cost: $8 members/$10 non-members/$5 children ages 5-17/free children under 5

“I’m in the Studio Tonight Because of You” is Delgado’s attempt to take the viewer through her process by breaking down the lines and marks that land on the paper or canvas from beginning to end.

The first mark tends to be towards the right, middle side of the page. Woody sticks, graphite crayons, pigment sticks, stiff brushes and palette knives are her tools of choice.

The woody stick can make really thin lines that ignite each painting’s energy. When water is added it will wash the color out and make light marks that can be seen in small areas under the piles of oil paint. It’s been said that Melanie is a ‘painter’s painter’. When you stand in front of her work, especially the larger oil paintings on canvas you can feel the battle. She is committed to her practice and has a deep love for her students and their work as well.

This show is dedicated to you.

Opening Reception: Sat, Aug 9, 4-6pm
Gallery Hours: Thurs/Sun - 12-5pm, Fri/Sat - 12-6pm

A self taught artist, I have always been fascinated with the process of coming into and dissolving out of form and all the stages in between. Using subtle rich materials such as Venetian plaster marble dusts, raw pigments, graphite powders and genuine silver leaf, all lend themselves to depicting the process of life in transition.

Whether it is a photograph or a painting suggesting a forest, a snow storm, or a tangle of light. There’s an invitation to enter into a flow of energy, colour movement, an experience! They go where their imagination takes them.

Exhibition Dates: Aug 9 - Sept 13, 2025
Gallery Hours: Thurs/Sun - 12-5pm, Fri/Sat - 12-6pm

Join us at Jane St. Art Center for Burlesque Drawing Café with Tryst La Noir; an exciting way to combine art and performance. Tryst is creating a fully immersive experience with costumes and music with different themes each month. Sign up for this class on our website. For a single class it’s $40 if you buy all three it’s $100, limited seats available so get them while you can! No instructor. Bring your own art making materials.

About Tryst La Noir
Tryst aka Tryst La Noir is a Singer/Songwriter, Burlesque Artist and DJ in the Hudson Valley! She is the creator of Strangehouse Events and produces a bi-monthly Burlesque and Cabaret night at The Colony in Woodstock that features performers from all creative walks of life including Burlesque, Sideshow Performances, Pole and Aerial Arts, and more! She is a musician and singer/songwriter at heart and loves to express herself through visual arts and dance, combining burlesque elements to her music and videos. She takes inspiration from old 40s Noir films, David Lynch, and embraces the beauty of darkness. When she performs and DJs she loves to create an immersive atmosphere that pulls you in and takes over your mind, body and soul! She is getting ready to release her third album this year!

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.