Community Calendar

Skidmore Encore announces registration for its Fall 2025 lecture series delivered by the remarkable Skidmore College faculty for adult learners age 55+ from around the local region. Encore attracts intellectually curious people who are eager to learn. Join us! The 2025 program runs for seven weeks on Tuesdays from September 30 through November 11 in the gorgeous Arthur Zankel Music Center Skidmore College campus. Online registration opens Tuesday, September 2, 2025 at 9:00 AM.

For more information: www.skidmore.edu/encore

There is no better classroom than the outdoors! In our homeschool program, we lead children on a hands-on exploration of the Huyck Preserve's forests, streams, and ponds. This program focuses on building ecological understanding through observation, investigation, and documentation of our discoveries, while encouraging creativity through nature art and play.

Designed for homeschool families, children ages 5-12.
Caregivers may stay with the class but are not required to stay. Please indicate your plans on the registration form.Preschool siblings are also welcome if caregivers attend but must also be registered.

Material Shift showcases work by 13 Haudenosaunee artists who employ found objects and other unconventional materials to create or illustrate traditional cultural objects or concepts and those who, conversely, explore traditional materials in unexpected ways. Works range from playful to provocative. These events are made possible by the National Endowment for the Arts, the Institute of Museum & Library Services, the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and friends and members of the Iroquois Museum. For more information contact: info@iroquoismuseum.org

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

Our traditional Holiday Fair promotes the holiday spirit with regional artisans featuring handmade pottery, jewelry, fiber, artisan foods and much more!

All inside our historic 1848 Meeting House.

Choose unique gifts for your loved ones while helping support local businesses this holiday season.

October 8th through December 14th

Tuesdays through Sundays from 10 am to 4 pm
Closed Mondays

Admission is free, donations welcome!

Time is the framework for my drawing and painting practice. In working with the figure, I seek to capture both a moment and the internal landscape of the sitter. Daily drawing sessions function as a meditation—repetition that sharpens vision, timing, and the choices I make with color, line, positive and negative space, and other principles of art-making.

Between looking and seeing, there is a fleeting gap: a split second where an image imprints itself on my mind before I translate it to canvas. This gap, described in Buddhism as a place of stillness and equilibrium, is central to my work. It is a space beyond words or thought—just presence.

Roses are also a recurring motif in my practice. For me, they serve as a metaphor for the human spirit. Through the use of multiple roses and mirrors, I explore light, reflection, and metaphor, creating spaces that attempt to hold and extend a moment.

Ultimately, my work is an inquiry into memory, perception, and the impossibility of holding on. To capture the fleeting is like trying to grasp smoke before it disappears into a black hole.

Opening Reception: Sept 20 - Oct 25, 2025
No On-Site Parking

Time is the framework for my drawing and painting practice. In working with the figure, I seek to capture both a moment and the internal landscape of the sitter. Daily drawing sessions function as a meditation—repetition that sharpens vision, timing, and the choices I make with color, line, positive and negative space, and other principles of art-making.

Between looking and seeing, there is a fleeting gap: a split second where an image imprints itself on my mind before I translate it to canvas. This gap, described in Buddhism as a place of stillness and equilibrium, is central to my work. It is a space beyond words or thought—just presence.

Roses are also a recurring motif in my practice. For me, they serve as a metaphor for the human spirit. Through the use of multiple roses and mirrors, I explore light, reflection, and metaphor, creating spaces that attempt to hold and extend a moment.

Ultimately, my work is an inquiry into memory, perception, and the impossibility of holding on. To capture the fleeting is like trying to grasp smoke before it disappears into a black hole.

Opening Reception: Sept 20 - Oct 25, 2025
No On-Site Parking

$25 a drop-in, $80 ($20 a class) for a 4 session punch card, Venmo, CC, check or cash.

Figure Drawing Long pose Open Studio Sessions for experienced adult artists with a live model in a supportive atmosphere. No instructor. Bring your own art supplies/drawing boards. There are a few easels and we also have tables and chairs. Poses for three 1 hour or one 3 hour. Limited to 15 people per session.

For more information, call or email us!

For updates on scheduling and closures, check out our website or social media.

This will be our 4th Annual RAIISE event. This year we are in hosting in tandem with the AELA Trunk-or-Treat!
RAIISE is a FREE community event. Our goal is to provide autism and IDD resource awareness in the Greater Capital Region. We are looking for exhibitors and sponsors at this time.

Join as a sponsor to provide important information and resources to the community.

Join as an attendee to take advantage of the information and resources provided by the sponsors by reserving your FREE ticket.