David Edelstein
David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.
A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).
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Critic David Edelstein says that despite the film's "mushy" story arc, it's hard to resist Cooper's remake of the classic film about an up-and-coming superstar.
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Critic David Edelstein says Ethan Hawke's new film about country singer-songwriter Blaze Foley is best at its simplest: "When [star Ben] Dickey performs, the movie is great." -
A veteran of World War II, Bowers bought a gas station on Hollywood Boulevard in 1946 and began arranging trysts for stars. A new documentary that's "as sympathetic as it is lurid" tells his story.
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Tim Wardle's new knockout documentary starts out as a Parent Trap-like lark about three young men who, by chance, realize that they are triplets, but ultimately takes a more devastating turn.
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In 2004, four young men stole rare art books valued at more than three-quarters of a million dollars from a college library. American Animals blends fiction and documentary to retell the story.
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An exhausted mother hires a free-spirited night nurse to tend to her baby in a Diablo Cody's latest film. Critic David Edelstein calls Tully a "strange and mythic" movie.
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A woman with low self-esteem hits her head and suddenly sees herself as madly attractive. Critic David Edelstein says I Feel Pretty suggests the notion of what's "pretty" should be "elasticized."
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Three teenage girls make a pact to lose their virginity after senior prom — and three parents embark on a hysterical odyssey to stop them — in Kay Cannon's raunchy new sex comedy.
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Wes Anderson's new animated feature centers on canines living on a garbage dump off the coast of Japan. David Edelstein says the film will make you laugh — even as you gasp at its visual brilliance.
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Armando Iannucci's new film satirizes the days in 1953 when the Soviet Union lost its totalitarian leader and members of his inner circle argued, plotted and killed while selecting a successor.
