Community Calendar

A self taught artist, I have always been fascinated with the process of coming into and dissolving out of form and all the stages in between. Using subtle rich materials such as Venetian plaster marble dusts, raw pigments, graphite powders and genuine silver leaf, all lend themselves to depicting the process of life in transition.

Whether it is a photograph or a painting suggesting a forest, a snow storm, or a tangle of light. There’s an invitation to enter into a flow of energy, colour movement, an experience! They go where their imagination takes them.

Exhibition Dates: Aug 9 - Sept 13, 2025
Gallery Hours: Thurs/Sun - 12-5pm, Fri/Sat - 12-6pm

“I’m in the Studio Tonight Because of You” is Delgado’s attempt to take the viewer through her process by breaking down the lines and marks that land on the paper or canvas from beginning to end.

The first mark tends to be towards the right, middle side of the page. Woody sticks, graphite crayons, pigment sticks, stiff brushes and palette knives are her tools of choice.

The woody stick can make really thin lines that ignite each painting’s energy. When water is added it will wash the color out and make light marks that can be seen in small areas under the piles of oil paint. It’s been said that Melanie is a ‘painter’s painter’. When you stand in front of her work, especially the larger oil paintings on canvas you can feel the battle. She is committed to her practice and has a deep love for her students and their work as well.

This show is dedicated to you.

Opening Reception: Sat, Aug 9, 4-6pm
Gallery Hours: Thurs/Sun - 12-5pm, Fri/Sat - 12-6pm

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.

A self taught artist, I have always been fascinated with the process of coming into and dissolving out of form and all the stages in between. Using subtle rich materials such as Venetian plaster marble dusts, raw pigments, graphite powders and genuine silver leaf, all lend themselves to depicting the process of life in transition.

Whether it is a photograph or a painting suggesting a forest, a snow storm, or a tangle of light. There’s an invitation to enter into a flow of energy, colour movement, an experience! They go where their imagination takes them.

Exhibition Dates: Aug 9 - Sept 13, 2025
Gallery Hours: Thurs/Sun - 12-5pm, Fri/Sat - 12-6pm

“I’m in the Studio Tonight Because of You” is Delgado’s attempt to take the viewer through her process by breaking down the lines and marks that land on the paper or canvas from beginning to end.

The first mark tends to be towards the right, middle side of the page. Woody sticks, graphite crayons, pigment sticks, stiff brushes and palette knives are her tools of choice.

The woody stick can make really thin lines that ignite each painting’s energy. When water is added it will wash the color out and make light marks that can be seen in small areas under the piles of oil paint. It’s been said that Melanie is a ‘painter’s painter’. When you stand in front of her work, especially the larger oil paintings on canvas you can feel the battle. She is committed to her practice and has a deep love for her students and their work as well.

This show is dedicated to you.

Opening Reception: Sat, Aug 9, 4-6pm
Gallery Hours: Thurs/Sun - 12-5pm, Fri/Sat - 12-6pm

This will be an informal talk with Melanie Delgado discussing her artistic practice regarding the works in her exhibition ‘I’m in the Studio Tonight Because of You’ at The Sketchbook Gallery. The talk will provide insights into her work and offer a chance for questions and engagement with the artist. It will take place on Sunday, Sept 7, at 1pm in the gallery alongside her works.

Exhibition Dates: Aug 9 - Sept 13, 2025
Gallery Hours: Thurs/Sun - 12-5pm, Fri/Sat - 12-6pm

Brooklyn Art Meetup
Sunday, Sept 7 · 3:30–7 PM (Setup @ 2:30)
Maria Hernandez Park, Bushwick, BK
FREE · All Ages

What to Expect:
Meet local artists and vendors
Art and showcase artists
Find collaborators and new friends
Picnic vibes, so bring a blanket, snacks, and games
Everyone’s welcome

Bring:
Picnic setup (blanket, chair, umbrella)
Games, chalk, art supplies
Business cards or stickers
An open spirit

Rain or shine, if it rains, we dance in it.

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Event Link: https://www.eventbrite.com/e/brooklyn-art-meetup-meet-local-artists-vendors-free-tickets-1496586653969?aff=oddtdtcreator

Vend for Free Artist sign-up: Google Form https://docs.google.com/forms/d/e/1FAIpQLSccOm3C-jG3h-Ei0T2mqZ1MpCFA_-U5NX-ZHFsi2GvXsQcZqg/viewform?usp=header

Art Jobs + resources: Substack https://substack.com/@lailanigotyou

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

“Once a Tree: Continuity, Creativity, and Connection” explores the deep-rooted significance of trees in Haudenosaunee culture, tradition, and creative expression. Featuring the work of 42 artists and more than 100 objects—including decorative and utilitarian baskets, cradleboards, snowshoes, ladles, lacrosse sticks, toys, instruments, carvings, and sleds—this exhibition highlights the important relationship between nature and artistry. Selected from the Museum’s permanent collection, the exhibition was created with guidance from curatorial consultants Terry Chrisjohn III (Oneida), Preston Jacobs (Mohawk), and Sheila Ransom (Mohawk).

"Separated but Unbroken: The Haudenosaunee Boarding School Experience" explores the lasting impact of the Thomas Indian School, once located on the Cattaraugus Reservation south of Buffalo, NY, and The Mohawk Institute near Branford, Ontario. These institutions, which enrolled a significant number of Haudenosaunee students, were part of a larger system that sought to erase Indigenous identities while deeply shaping the lives of those who endured them. Co-curated by Erin Keaton (Mohawk), the exhibition sheds light on Haudenosaunee resilience.