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'Racebook' author Tochi Onyebuchi misses the old internet

JUANA SUMMERS, HOST:

Remember when the internet was fun? A little less intense? Well, author Tochi Onyebuchi does. His new book "Racebook" hearkens back to that odd time in history when people started to realize the power of the internet, but before things got so serious. For him, the internet and the way he experienced it shifted in 2012.

TOCHI ONYEBUCHI: It seemed as though, prior to that moment, I existed on the internet as a sort of skinless, raceless entity. It didn't seem as though I was a Black man on the internet until I started arguing with people about Blackness on the internet.

SUMMERS: The moment he's referencing is the shooting death of 17-year-old Trayvon Martin in 2012 and the subsequent acquittal of the man who killed him. Onyebuchi uses this moment and others to take stock of the internet, both past and present, through his eyes - those of a young Black man finding community and navigating the changing and sometimes dangerous world around him.

ONYEBUCHI: I think one of the things that happened was there was this veil that had come down and it became apparent to me that there - I guess to put it diplomatically - there was a much greater diversity of opinion on the internet than it had occurred to me there was in the past. There were people, particularly people in my life, but people who I seemed to be primarily interacting with online, who didn't seem to think there was anything wrong with the way things had turned out, you know, in the death of Trayvon Martin and afterwards. And that was a big shock to me.

I think another change in how I experienced the internet was that it became a place where I was witnessing people trying to figure out how to do something about this. It was very clear that there was something wrong, some big problem, and people were organizing or collaborating or coordinating online ways to deal with this sort of thing - whether that meant, you know, putting out locations for marches and protests or whether that meant, you know, putting together online journals or places to collect, you know, writing, whether it meant publishing opinion pieces. All of a sudden, the internet was revealed to me as this place where activism could happen, and it just hadn't occurred to me that it could be that before.

SUMMERS: Taking stock of that shift now, more than a decade later, do you think it was a net positive? A net negative?

ONYEBUCHI: Oh, my goodness. (Laughter) I mean, that is the trillion-dollar question...

SUMMERS: Right.

ONYEBUCHI: ...Because I - you know, it goes both ways, too, right? I think if you ask a lot of particularly young people on the right, you know, what was their - what's been their radicalizing moment, so to speak, they might also point to the acquittal of George Zimmerman in the shooting death of Trayvon Martin, albeit, you know, they might have been pushed in the opposite direction from me and a lot of my cohort. And, you know, as we saw with something like Gamergate, for instance, is Gamergate something that could have happened in a, you know, pre-2013 internet? Is that something that might have even occurred to people to do pre-2013, pre-2010s on the internet?

So yeah, it's why I feel like in my heart of hearts, you know, the internet sort of changing or at least the - our conception of the utility of the internet changing is a net positive, but there is so much - (laughter) there's so much negativity that has come with it. So it may be a very slight (laughter) net positive, but I do feel ultimately a net positive nonetheless.

SUMMERS: Throughout the book, you express some nostalgia for the internet that we used to know before it was such an integral, irreplaceable part of our society that we literally walk around and carry in our pockets and depend on every single day. What do you think it is about that early experience of the internet that was so satisfying?

ONYEBUCHI: It really does feel, and this might be - I readily admit this may be rose-tinted glasses. It really does feel like everybody was kinder. Like, generally, it felt like the pH balance in the pool was very different. You - it was almost an expectation that, you know, if you went on the internet looking for gaming tips or whatever, people were just, like, ready to help you. Just, like, absolutely - that was the default. You know, the Yahoo message boards or other online forums, it really did feel as though these spaces had been created for us to congregate around things that we loved, things that we enjoyed. It didn't feel like the place that you would go to to get angry about things.

It also didn't feel like the place that you went to to get news. And I think that's a very important aspect of it. I feel like a very big shift in Twitter, for instance, was, you know, the moment when people started going there for, like, serious stuff, (laughter) you know, when it was no longer just an app for jokes. It was an app for where you would go to get news. I think, you know, when I started seeing the first, you know - no disrespect - when I started seeing the first journalists on there, I was like, oh, there goes the neighborhood.

(LAUGHTER)

ONYEBUCHI: And I feel like, you know, the early internet had that vibe of, hey, we're just here for jokes.

SUMMERS: We've talked a lot about the internet of the past, but I want to end by asking you about what the internet of the future might look like. What do you think it will be, and what do you hope it will be?

ONYEBUCHI: Oh, my goodness. I mean, I think it's going to get worse before it gets better, but I do think it is going to get better. I do think there's - 'cause I think we are, and I think this is partly due to the sort of techlash that we've been experiencing over the past, you know, several years, past half decade, at least - I think people are getting much more intentional about how they use the internet, about how they curate their online experience. And I feel like there's this element of, hey, we're taking our lives back. We're taking our experience back. And that doesn't necessarily mean logging off and touching grass. It can mean, oh, I'm curating my own spaces. I'm going to places that don't mandate I talk to strangers I know I'm just going to argue with. So I think in that respect, it's going to get better.

The reason I think it's going to get worse before it does is because the AI bubble hasn't burst yet, (laughter) and I think it's going to be a bit of, you know, we're going to, you know, be in this realm of, you know, deep fakes and misinformation and literally not being able to tell what's real anymore when we're online. I think there's going to be a bit more of that hellscape coming. But I do think that when that bubble bursts and all that Wall Street money goes to find some other, you know, shiny red ball, we have an opportunity to build something really, really, really beautiful out of the rubble.

SUMMERS: Author Tochi Onyebuchi. His new book is "Racebook: A Personal History Of The Internet." Tochi, thank you so much.

ONYEBUCHI: Oh, thank you so much for having me.

(SOUNDBITE OF MUSIC) Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

Juana Summers is a political correspondent for NPR covering race, justice and politics. She has covered politics since 2010 for publications including Politico, CNN and The Associated Press. She got her start in public radio at KBIA in Columbia, Mo., and also previously covered Congress for NPR.
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Prior to joining NPR in 2022, Mohammad was a producer on The Washington Post's daily flagship podcast Post Reports, where her work was recognized by multiple awards. She was honored with a Peabody award for her work on an episode on the life of George Floyd.