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Hurricane Katrina washed away Lucio Cano's home and the Mexican restaurant he owned in Pass Christian, Miss. After the storm, the entrepreneur opened the first Latin American food store in the Waveland and Bay St. Louis area.

On a new album, the classical stars revisit the concerto Williams composed specifically for Ma, as well as some of Williams' most affecting film scores.

China's urbanization is perhaps the most extensive the world has ever seen. In Beijing and elsewhere, the job of designing prominent urban buildings is going more often than not to Western architects -- and the rush to remake the capital of China is crowding the ancient city with out-of-character designs.

Reggae music has gone a lot of places over the years, from minimalist dub to culture-warring dancehall. Almost 40 years on, Spear still hews to the reggae basics: a deep, easy groove; brassy R&B flavorings; and a mystical take on history. His new CD is Jah is Real.

After releasing her debut album, 19, to critical acclaim earlier this year, British artist Adele was dubbed the next Amy Winehouse by the British press. The young singer-songwriter talks about her record and her new-found fame.

The songs on Revolution come in an impressive variety of arrangements and voices, from quiet, acoustic confessions to rock 'n' roll hollering. They're all convincing, and they make up not just Lambert's best record, but also critic Will Hermes' standing pick for country record of the year.

A now-infamous 2008 trip to Avatar Studios brought Liane Hansen face to face with her vocal limitations. But she also met a young artist making her debut recordings. Now Sabrina Scott has released her EP, called A New View.

U.K. musician Natasha Khan, better known as Bat For Lashes, uses a fusion of keyboards and harps to generate tribal beats and electronica. She speaks on the uncommon sounds and ideas behind her acclaimed new album, Two Suns.

As a teenager, the singer-songwriter was already touring the world with his rock band. His new album takes him back to before then, when country music blasted out of Texas radio stations. He performs a solo acoustic set in NPR's Studio 4A.

The avant-garde improviser used to joke: "I do country music; it's just a matter of what country." Now on his first North American tour in more than two decades, he describes his atmospheric electronics and soft, subtle trumpet style.