Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

Broadway is coming off a record-breaking season, in terms of attendance and box office receipts. But this weekend and next weekend, five musicals, representing an investment of $95 million, will close.

Broadway attendance was up 14% between 2018 and 2019, generating $1.83 billion in ticket sales. But not everyone has been invited to the party, says Jeremy Gerard, who has covered Broadway as a reporter and critic for over three decades.

"It's been a great year for Broadway, and that's true if you're one of the producers of a blockbuster show on Broadway," he says.

The musical theater director and producer Hal Prince, winner of an unprecedented 21 Tony Awards, has died in Iceland after a brief illness. He was 91.

Prince worked on such major shows as Cabaret, Sweeney Todd and The Phantom of the Opera. But he was always looking forward to the next show, regardless of how the last one turned out.

In 1965, composer John Kander was working on a show that Prince produced called Flora, The Red Menace — and it was not going well.

June 28 marks the 50th anniversary of an event that proved to be a catalyst for a simmering gay-rights movement. On that day in 1969, police raided the Stonewall Inn in Greenwich Village. Now a new opera, Stonewall, at the New York City Opera, dramatizes that historic moment.

The scores of Be More Chill, Beetlejuice, Hadestown, The Prom, To Kill a Mockingbird and Tootsie are all up for Tony Awards at the 73rd annual awards show.

Trustees of the American Federation of Musicians and Employers' Pension Fund (AFM-EPF) announced the evening of May 24 that they will apply to the U.S. Treasury for a reduction in member benefits, due to the AFM-EPF's "critical and declining" status – meaning the fund is projected to run out of money in 20 years. The AFM represents 80,000 professionals in the United States and Canada who play in symphony orchestras and opera houses, on Broadway, in film and television, and on studio recordings.

The 2018-2019 Broadway season hurtled to a close, with 14 plays and musicals opening in March and April, before the Tony Award nominations were announced on Tuesday morning. And some of the late entries into the race were handsomely rewarded.

Rupert Murdoch is arguably the most powerful man in media today. But in 1969 — before he owned Fox News, The Wall Street Journal, and newspapers and networks around the world — he was a hungry 38-year-old, looking to break into London's newspaper establishment. A new Broadway play called Ink chronicles those years.

Editor's note: This story includes language that some may find offensive.

It was 1968. But playwright Mart Crowley felt he had to write what he knew.

"Nobody wanted the play," Crowley says. "Not even agents wanted to look at this play. They just thought it was pornographic and it was outrageous."

What he wrote in The Boys in the Band was a thinly veiled slice of autobiographical fiction. A group of gay friends gather for a raucous birthday party; by the end of the evening, secrets are spilled, tears are shed.

One of the oldest and most distinguished Spanish language theaters in the U.S. is housed in a converted Manhattan brownstone. "It started actually as a private house," explains Robert Federico, executive producer of Repertorio Español.

The space is tiny — rickety wooden stairs lead backstage and small props are stored in the hallway. The sets are designed to be stashed flush against walls behind black curtains.

Sing Sing Correctional Facility is not the sort of place you'd expect to find a flourishing music community, but a workshop run by Carnegie Hall offers inmates the ability to learn in harmony. Twice a month, artists from New York City travel to Sing Sing and spend a day giving 30 inmates enrolled in the Musical Connections program formal training.

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Several years ago, Claire van Kampen was composing music for a London theater production. During a break, one of the singers asked her if she knew the story of Farinelli, the famous 18th century opera singer.

"'You'd really like the bit where he goes to Spain and sings to King Phillipe who has this bipolar disorder.' And then I started to think: Now that's an interesting story that I haven't heard about, seen."

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We Shall Not Be Moved is a new opera that takes its name from both the old spiritual-turned-civil-rights anthem and the Philadelphia black liberation group, MOVE. That group might be best-remembered for a 1985 tragedy: A police helicopter bombed the MOVE house, and the resulting fire killed 11 people and destroyed 62 homes in the neighborhood.

The opera, presented by Opera Philadelphia with the Apollo Theater, had its world premiere Sept. 16. It revisits that house and its ghosts, while remaining centered on stories about young people in Philadelphia today.

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One of the ingredients a successful Broadway show needs is a talented cast. That starts with talented casting directors, the people who can see a Tony-winning star in the making, say, when a performer walks into an audition as a college student named Audra McDonald.

Russian, American and French ballet dancers are gathering Thursday night for a bit of cultural diplomacy at New York City's Lincoln Center. They're celebrating the 50th anniversary of George Balanchine's masterpiece Jewels, considered the first full-length, nonnarrative ballet.

Pulitzer Prize-winning playwright Edward Albee has been in the news a lot lately. Albee died in 2016, and since then his estate has turned down a multi-racial production of Who's Afraid of Virginia Woolf? and put his contemporary art collection up for auction for an estimated $9 million.

Creating a hit musical which appeals to family audiences is kind of Broadway's holy grail — think current long-running shows, like The Lion King and Wicked, which have run for decades, or earlier shows like Cats and Annie. Critics don't always give these shows good reviews, but that doesn't seem to matter much. Now, two new musicals are aiming to get the kid stamp of approval.

Lillian Hellman's 1939 melodrama The Little Foxes has two great roles for actresses over the age of 40. Laura Linney and Cynthia Nixon fill those roles in a new revival on Broadway ... but with one big twist: Linney and Nixon play both roles and switch off at different performances.

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Movie fans know that Hollywood opens its most prestigious films every December, right before the Oscar nomination deadline. The same is true of Broadway — except it happens in the spring, before the Tony nominations come out. This year's is an exceptionally crowded season, with 18 shows — half of them musicals — opening in March and April.

Last season was all about Hamilton. Everyone knew it was going to win the Tony for best musical, but Barry Weissler, who produced Waitress, didn't care.

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For decades, there have been exactly 40 Broadway theaters all between 41st and 65th Streets in Manhattan. Tonight, a new theater opens that also happens to be the oldest. Are you confused? No one better than Jeff Lunden to clear it up.

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Christmas is coming, and soon TV screens everywhere will light up with that 1946 holiday classic, It's a Wonderful Life. But the same story is coming a little early to the stage of the Houston Grand Opera. That's right: An operatic version of George Bailey's struggle with life and death opens this Friday.

Librettist Gene Scheer admits that adapting such a beloved movie has sometimes felt like a fool's errand. "It's almost secular scripture, this piece," he says. "Everyone knows all the lines."

Edward Albee, the three-time Pulitzer Prize-winning playwright of Who's Afraid of Virginia Woolf? among many others, died Friday at the age of 88 following a short illness, according to his longtime personal assistant.

You might not know Marni Nixon's name, but you've probably heard her. The singer dubbed the voices for Deborah Kerr in The King and I, Natalie Wood in West Side Story and Audrey Hepburn in My Fair Lady — three of Hollywood's biggest movie musicals.

Nixon died Sunday at 86 from complications from breast cancer.

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When most people hear the words "regional theater," they think of stages all across the country, in places like Seattle, Washington, D.C., and Chicago. But one of the most successful nonprofit regional theaters is in New York on Broadway. The Roundabout Theatre has five stages and 30,000 subscribers and is celebrating its 50th anniversary this season.

Annaleigh Ashford is down to earth. Very down to earth. Sitting in her Broadway dressing room, she talks about all of the people who've inhabited that same space – Denzel Washington, Ian McKellen and, most recently, Larry David, who left a sticker with his name by the toilet.

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