classical music according to yehuda

In this week’s Classical Music According to Yehuda, we continue to learn about Rossini - who died 150 years ago this year.

In this segment we learn about patter songs and comic opera, hearing John Reed perform “I Am the Very Model of a Modern Major-General” from Gilbert & Sullivan’s "The Pirates of Penzance" - Isidore Godfrey conducts the Royal Philharmonic Orchestra.

Yehuda Hanani’s Close Encounters with Music series presents a program Mozart & Schubert, Marzipan & The Trout on Saturday, December 8 at 6 p.m. at the Mahaiwe Performing Arts Center in Great Barrington, MA.

In this week’s Classical Music According to Yehuda, we continue to learn about Rossini - who died 150 years ago this year.

Yehuda Hanani’s Close Encounters with Music series presents a program Mozart & Schubert Marzipan & The Trout on Saturday December 8 at 6 p.m. at the Mahaiwe Performing Arts Center in Great Barrington, MA.

  The composer Gioachino Rossini lived from 1772 to 1868. This year marks the 150th anniversary of his death. In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani begin a series of conversations about Rossini. Music - Il barbiere di Siviglia (The Barber of Seville): Overture by Gioachino Rossini, Budapest Symphony Orchestra, Ádám Fischer (7:35) Run time - Music in the segment: The Overture to Rossini’s "The Barber of Seville" performed by The Budapest Symphony Orchestra, led by Adam Fisher.

On Sunday November 11 at 3 p.m., Close Encounters with Music will present a “Conversation with…” event at West Stockbridge Historical Society Old Town Hall in West Stockbridge, MA. Professor of Music History and Culture at the University of Toronto, Caryl Clark, will Reconsider the Legacy of Haydn.

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and lost or misattributions, sharing a recording of Béatrice Rauchs playing final movement of Fanny Mendelssohn’s Piano Sonata in G Minor.

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and lost or misattributions.

Music: Cassadó: Toccata (in the Style of Frescobaldi) by Gaspar Cassadó, Mstislav Rostropovich, Herbert Tachezi - album “Cello & Organ Recital”

Casals in 1917 at Carnegie Hall
George Grantham Bain collection at the Library of Congress

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and lost or misattributions - discussing a François Couperin suite that was actually written by ​Paul Bazelaire.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and lost or misattributions.

 

Close Encounters with Music will present Russian and Soviet Film Music: A Tuneful Survey with UAlbany Professor Timothy Sergay at The Mount in Lenox, MA on Sunday, April 22.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and lost or misattributions.

'Sumer is icumen in' - old sheet music
Image taken from Summer Canon [Reading Rota]. Originally published/produced in England [Reading Abbey, co. Berks.]; mid 13th century. Held and digitised by the British Library, and uploaded to Flickr Commons.

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and lost or misattributions.

In this week’s "Classical Music According to Yehuda," Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and misattributions - sharing music by Fritz Kreisler from the album "Kreisler Plays Kreisler."


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani begin a series of conversations about fakes, forgeries, and misattributions.

 

In this segment we hear Trumpet Voluntary Suite in D Major by Jeremiah Clarke (recorded by the Royal Philharmonic Orchestra) which was long attributed to Henry Purcell for years.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani conclude their series of conversations about quoting, sampling, borrowing in music, discussing a time when Franz Schubert stole from himself.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music listening to Johann Sebastian Bach's Choral: Es ist genug and a portion of Alban Berg's Violin Concerto.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.


    In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.

Close Encounters with Music’s next presentation, Souvenir de Florence-- An Italian Holiday Celebration will take place on December 9.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.

 

Close Encounters with Music’s next presentation, THE POLITICS OF OPERA with author and scholar Mitchell Cohen will take place on Nov 12.

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music - sharing Offenbach's Can-Can and Saint-Saëns' Le Carnaval des Animaux - Tortues. 

Close Encounters with Music’s next presentation, "The Politics of Opera" with Author and Scholar Mitchell Cohen will take place on Nov 12. 

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.

  In this week's Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani discuss the classic American song "Ol Man River," written by Oscar Hammerstein and Jerome Kern.

This is an encore airing of this segment. 

Gustav Mahler
Moritz Nähr


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani begin a series of conversations about quoting (sampling, borrowing) in music.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of discussions about women who influenced classical composers - concluding their conversation about Augusta Holmes.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of discussions about women who influenced classical composers. Last week we learned about Augusta Holmes - a student who inspired César Franck. This week, we learn more about Holmes herself.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of discussions about women who influenced classical composers - this week discussing Augusta Holmes - the student who inspired César Franck.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of discussions about women who influenced classical composers - speaking about the two women who inspired Symphonie Fantastique by Hector Berlioz.

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of discussions about women who influenced classical composers. This week we learn about Felix Mendelssohn and "The Swedish Nightingale," Jenny Lind.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of discussions about women who influenced classical composers. Today’s composer is Felix Mendelssohn.

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