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Miranda weighs in about Disney, mixtapes and why he won't try to top the success of Hamilton. Chazelle discusses the brash, defiant and "almost avant-garde" nature of musicals.

Playwright Tarell McCraney and director Barry Jenkins discuss their new film Moonlight. Maureen Corrigan reviews Mary Oliver's Upstream. Charlie Brooker dramatizes tech nightmares in Black Mirror.

Jarmusch's new movie Paterson was inspired by William Carlos Williams' epic poem. Film critic David Edelstein reviews The Salesman. Dr. Haider Warraich discusses the pitfalls of extending life.

Journalist Evan Osnos talks about tech executives who are prepping for doomsday. Maureen Corrigan reviews A Really Good Day. Director Kenneth Lonergan discusses Manchester By The Sea.

Keith Maitland's new documentary recreates the 1966 University of Texas campus shooting. Maureen Corrigan reviews George Saunders' first novel. Fresh Air remembers writer Bharati Mukherjee.

Holmes, who grew up a devout Christian, says he draws on his early career and "churchy" roots in HBO's Crashing. Powers talks about mental illness and his efforts to help his sons.

Groff, who now stars in Mindhunter, talks about his most life-altering roles. Maureen Corrigan reviews new fiction by Tom Hanks and Matthew Weiner. Hodgman reflects on his mother's death.

Hiaasen skewers Palm Beach and Florida life in the new novel, Squeeze Me. Justin Chang reviews Tesla. Shaul Schwarz and Christina Clusiau focus on the U.S. immigration system in a new documentary.

In If Then, historian Jill Lepore tells the story of the Simulmatics Corporation. David Bianculli reviews the TV series Ratched. Akhtar chronicles the immigrant experience in Homeland Elegies.

I May Destroy You let Coel explore dangerous areas in a safe place. John Powers reviews Zadie Smith's Intimations. Jim McCloskey of Centurion Ministries talks about faith and justice.