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It's still summer, but signs indicate that the season of Taylor Swift's album chart dominance may be coming to an end. This week's harbinger: a certain face-tattooed rapper-turned-country star.

NPR's Andrew Limbong speaks with writer Colette Shade about her book "Y2K: How the 2000s Became Everything (Essays on the Future That Never Was)."

Legendary anchorman and America's favorite judge and scorekeeper, Bill Kurtis is retiring from his role at Wait Wait…Don't Tell Me!, capping off a phenomenal 12-year run with the show.

2016 was a complex year for Black music, between the last year of the Obama presidency, and the numerous high-profile deaths of Black people at the hands of police.

A new exhibition in London shares David Bowie's archive, tracing his personas and evolution as a musician and artist.

The Chattanooga sister trio Call Me Spinster talks about how new identities as parents and partners shape their music, particularly their song "Feet Are Dirty."

With three shows running currently in NY and two more on tour, the late composer/lyricist Stephen Sondheim is as present in contemporary theater as he was when he was alive.

NPR's Ayesha Rascoe heads to the club — the Earlybirds Club — and dances until the break of 8 p.m.

Gospel music has always played a big role in American culture. Now, the music's wide-ranging history is being celebrated at Nashville's new Museum of Christian & Gospel Music.

Gospel music has always played a big role in American culture. Now, the music's wide-ranging history is being celebrated at Nashville's new Museum of Christian & Gospel Music.