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Will there be a smartphone stimulus this fall? Don't hold your breath.

South Korea has agreed to stop blaring propaganda from speakers across the border and the North has agreed to lift its semi-war status.

Across the years, countless films that spotlight dysfunctional families have featured scenes in which mothers and fathers are screaming and yelling at…

Ahead of the Oscars, school kids on Milwaukee's west side decided to pay tribute to African-American cultural icons in their own awards ceremony.

Superstitious Houston Astro fans can blame Texas Gov. Greg Abbott for their team's collapse Monday in the American League Division Series.

Ford confronts the crimes of her father in Somebody's Daughter. Kevin Whitehead reviews Sarah Vaughan's album, Live At The Berlin Philharmonie. Newman talks about her hijack thriller Falling.

The front porch of New Orleans Times-Picayune columnist Chris Rose became an unofficial town hall and community center after Hurricane Katrina. Neighbors congregated to vent, cry and laugh; he likens it to a "24-hour therapy session."

American audiences may know Brazilian musician Seu Jorge best for his film roles. He appeared in the City of God and The Life Aquatic with Steve Zissou. But in Brazil, Jorge is a popular singer and songwriter. Chris Nickson reviews his new CD, Cru.

The recent settlement between New York's attorney general and Sony exposed schemes to boost airplay for certain artists. But the practice of payola has persisted from the days of Tin Pan Alley's "song pluggers."

More than anything Malkmus has done, Real Emotional Trash engages in the sort of shape-shifting that marked Bob Dylan's career. He wears a different mask on virtually every song, and it certainly helps that the band is his strongest post-Pavement outfit yet.