Tagged: rob edelman

42 is a new biopic about the life of Jackie Robinson, the legendary baseball player who was the first African-American to play in the major leagues during the 20th-century. But this new Jackie Robinson film is not the first Jackie Robinson film. THE JACKIE ROBINSON STORY came to movie theaters in 1950: 63 years ago, three short years after Jackie debuted with the Brooklyn Dodgers.

A SEPARATION was one of the top films of 2011. In fact, it deservedly earned the Best Foreign Film Academy Award. I mention it now because its country of origin is Iran and, over a year ago, prior to the Oscar ceremony, I put forth a question: Should the current, seemingly endless hullaballoo surrounding Iran in any way impact on one’s view of this film-- or, if you are an Oscar voter, impact on your decision to vote or not vote for A SEPARATION?

Why does Hollywood remake or rework classic movies? Why would moviemakers want to improve on what is universally acknowledged as perfection, or at least near-perfection?

Back in the late 1960s and early 70s, a host of films-- which now are acknowledged classics-- literally changed the tenor of American filmmaking. And in retrospect, they serve as mirrors of their time. Films like THE GRADUATE and FIVE EASY PIECES, which helped establish Dustin Hoffman and Jack Nicholson as major stars and which are as fresh and invigorating today as when first released, spotlight characters who are alone, confused, and alienated, and are drifting aimlessly through life.